Amnesia memories spade1/1/2024 These eyes, however, do not affect the heroine, which is why he falls in love with her on his route. However as time passed, he began to think of it as a curse. When he was a kid he wished on a shooting star for girls to like him and was granted with eyes that make him irresistible to any woman. His favorite animals are apparently hamsters. He is notably skilled at 'anything requiring him to use his hands'. Ikki's hobbies include playing darts, billiards, and table tennis, as well as solving Kent's math puzzles. He is best friends with Kent and has a 19-year-old younger sister (in the game). Ikki ( イッキ) Voiced by: Kishou Taniyama (Japanese) Blake Shepard (English) Ikki is 22 years old and a fourth year university student. His symbolic route in the game is the 'Heart' route. His favorite animals are dogs, and his love for melon soda is evident in the anime, game and several drama CDs. He enjoys playing card games and is a member of the track-and-field club. He is the heroine's boyfriend in his route, but has a tendency of being rude and calling her an idiot. Shin is trying to make a successful future for himself to stop people from comparing him with his father. Shin and Toma can become super competitive with each other, but they have managed to stay friends despite this. Only his childhood friends, the heroine and Toma, treated him normally. Shin's father accidentally killed a man while under the influence of alcohol, and he was bullied and avoided during his childhood as a result. Shin ( シン) Voiced by: Tetsuya Kakihara (Japanese) Houston Hayes (English) Shin is a 17-year-old high school student studying hard to get into university. She also works part-time at a maid cafe called Meido no Hitsuji. In the game, Orion follows and supports her throughout each route to regain her memories. However, unlike many games, each route is a parallel world: events that take place in one route may not have happened in another route the pre-existing relationships the heroine had before amnesia are different in each route and the relationship-tracking meters may be different from one world to the next.Ĭharacters Main characters Heroine ( 主人公, Shujinkō) Voiced by: Kaori Nazuka (Japanese) Maggie Flecknoe (English) The heroine of the story who has lost her memories. Like many otome games, the events take place over a fixed time frame and different decision-trees result in accumulation of artwork, stories, and endings with the various characters in the game. Orion acts as her guide, giving her advice and perspective, and providing her with an "inner voice." Orion also serves as the main narrator to the story especially in the later story sequels. In order for Orion to free himself and return to his own world, the Heroine must regain these memories through interactions with important people and places in her life. The premise to the game is that a sprite called Orion accidentally attaches himself to the Heroine, causing her to lose all her memories. Each route is a parallel world where the heroine seeks to understand more about her selected male character. The player's relationship with each character differs depending on which route is chosen. In Amnesia, the male characters that the female character can interact with are based on the symbolic suit symbols from a card deck with the following storylines, commonly known as routes: Heart, Spade, Clover, Diamond and Joker. A 2013 anime television series has been produced by Brain's Base.Īmnesia is classified as an otome game like most otome games, the player takes the role of a female character who can choose from a variety of male characters for her love interest. Due to its positive reception in Japan, it produced various related merchandise such as drama CDs, character music CDs and books. A Nintendo Switch port of Amnesia: Memories and Amnesia: Later×Crowd was globally released on September 20, 2022. They were later combined for a PlayStation Vita release titled "Amnesia Later x Crowd V Edition" in October 2014. Another sequel titled Amnesia Crowd was released in April 2013. It was first released in August 2011, for PlayStation Portable, and then a fan disc in Japan, Amnesia Later, was released in March 2012. Amnesia (stylized as AMNEƧIA) is a Japanese visual novel series by Idea Factory.
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Time clock apps review1/1/2024 And you can then review those photos and verify that your employees punched in and out themselves (instead of a co-worker doing it for them). All the photos are saved in your dashboard. Our help has translated into many positive online reviews, like this one:īuddy Punch also offers the ability to prompt your employees to take photos of themselves before they can punch in and out. We are proud to say that since our founding, more than 10,000 businesses have trusted us to solve their employee time tracking needs. Remove all complexity from scheduling for multiple employees with differing needs.Simplify and streamline payroll processing.Help keep your team accountable when they clock in and clock out on-site.Be much more efficient than paper time cards.We wanted to create a time tracking tool that would: That’s why we set out to build Buddy Punch in the first place. And trying to manually create schedules that would fit every person’s needs was a headache. Our payroll process was slow and inefficient. Specifically, it was a challenge to keep our employees accountable. We experienced difficulties for many years tracking time entries for over twenty employees at three different locations. Click here to learn more and try it for free. Transform how you track time, process payroll, and create schedules for your employees. It includes advanced features we ourselves would have loved, having struggled to track time data for 20 employees across three locations. We’re proud of what we built at Buddy Punch. Since Buddy Punch is our own product, we’ll introduce ourselves first. That’s why we’ve put together an in-depth post that compares eight of the best employee management apps on the market. The complexity of crafting work schedules for your team.ĭue to running into these challenges when trying to track employee time, many small businesses turn to an employee attendance tracking app.īut deciding which time tracking app best fits your specific business needs can be a challenge on its own.The amount of data manipulation required in spreadsheets in order to understand revenue and job cost.Employees not being transparent with time spent on the clock during the workday.Small businesses know that tracking time and project management for their employees involves several challenges, such as: Chimpanzee monkey price1/1/2024
Spotify profile1/1/2024 This provides an excellent opportunity for your uniqueness to shine, so make it count. It should reflect your unique style and music, using both text and images to capture your essence and personality. If you want to know how to make an artist profile on Spotify that pops, it must be personalized, encapsulating your music in words and visuals. Best way to create a Spotify artist profile Let’s take a look at how to make a Spotify artist account that lets you stand out from the rest. Use them to adjust and improve your content for your continuous music growth in the long haul. You get insightful stats and analytics with your Spotify artist profile in exchange. Maintaining it is key to keeping your fans updated with your musical projects and progress. So instead of scouring Google to find info, your Spotify artist profile can provide it to them and then some.Ĭreating a Spotify artist account costs nothing it is free. Once they’ve heard your music a couple of times and really enjoyed it, they will want to know more. Most of them are looking to interact and establish a deeper relationship with the artist. In this guide, you’ll learn how to create an effective and engaging Spotify artist profile that showcases your expertise and helps you reach more listeners.įans can become invested in whoever they support more than they realize. It’s a central hub where fans can find your music, learn more about you, and connect with you. As your Spotify account homepage, it is a great way for potential listeners to discover your music.Ī Spotify artist profile is a page that represents your music and personal brand on the platform. Having a Spotify artist profile that is informative and well thought out can make others want to give your music a shot and be a follower. It allows you to manage your professional profile and learn more about your impact on Spotify consumers using the key metrics available. Spotify for Artists lets you take the wheel, giving you control over how you want to be represented on the platform. If you want to know how to become an artist on Spotify, begin by creating a Spotify artist account after your track or album submission. And besides, it’s an indication that Spotify wants you to be victorious. You wouldn’t want to ignore this low-hanging fruit: it’s favorable to you. Speaking of tools, Spotify has useful features that aim to help artists increase their streams, follower counts, and engagement, one of which is Spotify for Artists. This guide will walk you through the steps of creating a Spotify profile that showcases your expertise and helps you stand out as a Spotify specialist Spotify artist profile With a global reach of over 400 million listeners in nearly 200 markets, it has valuable in-house tools that are easy to use and are highly effective in promoting the artist and his music. Thankfully, Spotify provides a supportive environment for music creators. You will need all the help you can get to survive the initiation and succeed. But with a highly competitive industry, talent alone won’t propel your career to soaring heights. Spotify has become the preferred launching pad of many artists and curators to get their music out there.
Carr, In Search of the Promised Land: Paintings by Frederic Edwin Church, New York, 2000, illustrated pl. Carr, Frederic Edwin Church: Catalogue Raisonné of Works of Art at Olana State Historic Site, New York, 1994, vol. 719įranklin Kelly, Frederic Edwin Church, Washington, D.C., 1989, pp. Gerdts, The National Museum of American Art's Index to American Art Exhibition Catalogues: From the Beginning Through the 1876 Centennial Year, vol. "American Paintings in the Collection of the Berkshire Museum, Pittsfield, Massachusetts," The Magazine Antiques, November 1982, p. Lane Faison, Jr., The Art Museums of New England, Boston, Massachusetts, 1982, no. Wunder, Frederic Edwin Church, Washington, D.C., 1966, p. Huntington, The Landscapes of Frederic Edwin Church, New York, 1966, p. McCourbrey, ed., American Art 1700-1960: Sources and Documents, Englewood Cliffs, New Jersey, 1965ĭavid C. Huntington, "Landscapes and Diaries: The South American Trips of F.E. dissertation, Yale University, New Haven, Connecticut, 1960, pp. Huntington, Frederic Edwin Church, 1826-1900: Painter of the Adamic New World Myth, Ph.D. Henry James, The Painter's Eye, Cambridge, Massachusetts, 1956, p. "Berkshire, the Ideal Small City Museum, Reopens in Modern Dress," The Art Digest, vol. Give Pictures," The Pittsfield Journal, May 11, 1909 "Two Paintings for Museum: Zenas Crane and Buckingham Bros. "Church, Frederic Edwin," Appleton's Cyclopedia of American Biography, New York, 1887, vol. Champlin, Jr., Cyclopedia of Painters and Painting, New York, 1885, vol. French, Art and Artists in Connecticut, Boston, Massachusetts, 1879, p. "The Exposition," Chicago Daily Tribune, September 6, 1876, p. "In a Good Light," Chicago Times, September 24, 1876, p. Henry James, Jr., "On Some Pictures Lately Exhibited," Galaxy, July 1875, p. "Pictures, Music and the Stage," Springfield Daily Republican, July 3, 1875 "New Magazines," Bangor Daily Whig and Courier, June 29, 1875, p. "New Publications," The New York Times, June 25, 1875, p. "Art and Drama," Springfield Daily Republican, June 19, 1875, pp. "Critics and Painters," New York World, June 19, 1875, pp. Church's New Painting," Appleton's Journal, June 1875, p. "Art Notes," Christian Union, May 12, 1875, p. "The Arts," Appleton's Journal, May 8, 1875, p. "Gossip, Society, Etc.," Bloomfield Saturday Gazette, May 8, 1875, p. "Art Matters/'The Valley of the Santa Isabel,'" New York Herald, May 1, 1875, p. Church's New Painting," Hartford Daily Courant, April 27, 1875, p. Church's New Picture," The New York Times, April 25, 1875, p. Church's New Painting," The Evening Post, April 22, 1875, p. "The Fine Arts/Notes," The New York Times, April 17, 1875, p. "The Fine Arts/Notes," The New York Times, April 10, 1875, p. The term ‘pathological’ is considered to be pejorative by some who prefer the term ‘problem’ to describe addictive gambling behaviours as points along a continuum (Thomas, 2011). ‘Problem gambling’ is also sometimes used to describe an intermediate or subclinical form of the disorder ‘pathological gambling’. The phrases ‘pathological gambling’ and ‘problem gambling’ are often used interchangeably, with the term ‘pathological’ more frequently used in the United States and ‘problem’ more common in Australia and New Zealand. The fifth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-5) included gambling disorder as a new category on behavioural addictions, reflecting research findings to suggest that gambling disorder is similar to substance-related disorders in clinical expression, brain origin, comorbidity, physiology and treatment (APA, 2013). Pathological gambling was first included as a disorder in the International Classification of Diseases (ICD) in 1977 and is included in the ICD-10 under impulse disorders (WHO, 1990). In New Zealand, the Gambling Act 2003 defines gambling-related harm as ‘harm or distress of any kind arising from, or caused or exacerbated by, a person’s gambling and includes personal, social, or economic harm suffered – by the person or by the person’s spouse, civil union partner, de facto partner, family/whānau, or wider community or in the workplace or by society at large’ (Ministry of Health, 2010). The Australian Ministerial Council on Gambling defines problem gambling as ‘difficulties in limiting money and/or time spent on gambling which leads to adverse consequences for the gambler, others, or for the community’ (SA Centre for Economic Studies, 2005). Increased funding of evidence-based services for the screening, assessment, treatment and early intervention of people experiencing problem gambling is also required.Increased investment in research into evidence-based screening, assessment, treatment and early intervention in the field of problem gambling is required and particularly, evidence-based models for regulation of interactive and online gambling.Electronic gaming machines (EGMs) are associated with higher risks than other forms of gambling and the RANZCP supports changes that would restrict the number of EGMs, reduce the maximum bet and limit the jackpots on EGMs.The stigmatisation of problem gambling continues to act as a barrier to individuals accessing the support they need.Approximately 90% of people diagnosed with problem gambling have at least one other mental health diagnosis.The rise of interactive and online gambling is having devastating consequences new gamblers are more easily recruited online and gambling sites are accessible 24 hours per day.The RANZCP advocates that at the basis of any response to problem gambling must be a respect for the person, their behavioural disorder and its treatments. Furthermore, the stigmatisation of problem gambling continues to act as a barrier to individuals accessing the support they need. Any questions regarding this document can be directed to Royal Australian and New Zealand College of Psychiatrists (RANZCP) is concerned that problem gambling is having a significant and deleterious impact on vulnerable individuals, their family/whānau, support networks and beyond. The contents of 'Problem gambling' were developed using an evidence-informed process and still may be relevant. The RANZCP notes that the following document 'Problem gambling' is due for review. Alfred coffee study1/1/2024 Harvey Jr., building construction (AOS) & construction management engineering technology (BS)ĭale C. 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Herff jones llc data breach1/1/2024 Any attorney who has filed an action in this litigation may file an application for appointment as interim class counsel or other designated counsel either individually or as part of a proposed leadership structure. 1:21-cv-1329-TWP-DLP BREACH LITIGATION -This Document Relates to: Master File No. 1:21- cv-1329- TWP- DLP, the number assigned to the first-filed case, and shall bear the following caption: IN RE: HERFF JONES DATA Master File No. All papers filed in the Consolidated Action shall be filed under Case No. 42(a) and Local Rule 42-1 before the Honorable Tanya Walton Pratt (hereafter the "Consolidated Action"). 1:21-cv-01661-TWP- DLP ("Furcinito"), along with any other action arising out of the same or similar operative facts now pending or hereafter filed in, removed in, or transferred to this Court shall be consolidated for pre-trial proceedings and trial pursuant to Fed. The present case and the three other pending cases in this Court, Quintana v. The Court, being duly advised, hereby GRANTS said motion. ORDER granting Plaintiffs' #17 Motion to Consolidate Cases - This matter has come before the Court on the Plaintiffs' Motion to Consolidate, Dkt. (Attachments: #1 Text of Proposed Order)(Shevitz, Richard) Unopposed MOTION for Relief from Deadline to File Supplemental Jurisdiction Statement, filed by Plaintiffs MIRIAM BARNICLE, ELIZABETH FURCINITO. Copy mailed pursuant to distribution list. All future filings shall be made in 1:21-cv-01329-TWP- DLP only. All pending motions in these cases are terminated once the cases are closed. (SWM)ĪMENDED COMPLAINT Consolidated Class Action Complaint and Demand for Jury Trial against All Defendants, filed by All Plaintiffs.(DeLaney, Kathleen)ĬONSOLIDATION ORDER - In conjunction with the Order entered J(Filing No. As such, the present motion is DENIED AS MOOT. On July 15, 2021, the Court ruled on the Plaintiffs' Motion for Consolidation, and provided a timeline for the Defendant to answer the Amended Complaint. ORDER - This matter has come before the Court on the Defendant's Motion to Extend Deadline to Answer or Otherwise Respond Pending Ruling on Consolidation, Dkt. The Furcinito Plaintiffs are relieved from the requirement to file a Supplemental Jurisdictional Statement. The Court, being duly advised, hereby GRANTS said Motion. ORDER - This matter has come before the Court on the Plaintiffs' Unopposed Motion for Relief from Deadline to File Supplemental Jurisdictional Statement, Dkt. This docket was last retrieved on July 28, 2021. AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |